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    <loc>https://www.redpointdigital.com/case-studies/showmeyourmoves</loc>
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    <lastmod>2024-01-11</lastmod>
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      <image:title>Case Studies - iPort by Sonance: Flexibility of the Future - Make it stand out</image:title>
      <image:caption>Sonance’s Christian Serge and red point’s Eric Vaughan</image:caption>
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      <image:title>Case Studies - iPort by Sonance: Flexibility of the Future - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.redpointdigital.com/case-studies/ordinarmagic</loc>
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    <lastmod>2024-01-03</lastmod>
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      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley</image:title>
      <image:caption>The Client Amber Kempthorn is a working visual artist native to the Akron area and has spent the last decade teaching at the Cleveland Institute of Art and the College of Wooster. While she has received degrees in both studio art and sculpture, her main medium is drawing. Her art has been exhibited across the country, including the Front International Cleveland Triennial for Contemporary Art. She feels that drawing tends to be overlooked in the world of art because it's not loud and grand, but it's the most accessible form since we all draw in one way or another.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/657727ff26f637101552649a/bfe58adb-d269-496c-b4f0-0a595ca16fa5/Screen+Shot+2023-12-22+at+11.21.05+AM.png</image:loc>
      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley - When it was time for submissions to the annual Knight Arts Challenge, Kempthorn approached the Akron Symphony Orchestra with the idea of creating an animation to accompany ASO's live performance of "Four Sea Interludes." Now all she needed to do was figure out how to animate it.</image:title>
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      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley - Pre-Production</image:title>
      <image:caption>Once the project received the green light and the funding was in, we were able to get started! Kempthorn put together the script and storyboards for Ordinary Magic, which consisted of four separate animated videos to accompany each of the interludes. She presented the storyboards to our animation team, and we were able to map out a plan with the list of 3D assets she wanted to include.</image:caption>
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      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley - Post Production</image:title>
      <image:caption>Kempthorn had specific ideas for each of the interludes, so we went in order of the interludes when animating each piece, which helped streamline the process and navigate the beats we wanted the animations to hit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/657727ff26f637101552649a/9a9440ae-330d-412d-b53e-0a188c4ebb3c/Screen+Shot+2024-01-03+at+2.53.58+PM.png</image:loc>
      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley - After years of hard work and working through the pandemic, Ordinary Magic: A Sunday in the Cuyahoga Valley premiered with the Akron Symphony's performance of Benjamin Britten's Four Sea Interludes at EJ Thomas Hall on October 15, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/657727ff26f637101552649a/8e87bc27-7ab0-4e35-8990-ef6fc07e1366/Screen+Shot+2024-01-03+at+3.00.25+PM.png</image:loc>
      <image:title>Case Studies - Ordinary Magic: A Sunday in the Cuyahoga Valley - For us, it was certainly an unforgettable night watching our work be accompanied by such a powerful live performance after spending months working with a recorded version. Our lead animator Dave Hayward, who spent the most time bringing Ordinary Magic's animations to the finish line said: "It was a very fulfilling experience to see the product you helped create in a theatre with a live orchestra. A bucket list type of experience."</image:title>
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    <loc>https://www.redpointdigital.com/case-studies/invisibleroom</loc>
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    <lastmod>2024-01-04</lastmod>
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      <image:title>Case Studies - Sonance: The Invisible Living Room - The Client</image:title>
      <image:caption>Established in 1994, Sonance has since become a top brand for speakers that disappear within the architecture of any residential or commercial space. The company joined forces with James Loudspeaker in 1999 to bring a higher level of quality to both innovative brands. Since both organizations believe that speakers should be aesthetically unobtrusive, Sonance and James Loudspeaker sought to showcase the superior quality of their products by seamlessly incorporating them into the surrounding environment. Sonance created a studio model of a living room with their Invisible Speakers at their headquarters in San Clemente, CA to demonstrate how the speakers could be situated within a space and how the quality of sound is maintained even when "invisible."</image:caption>
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      <image:title>Case Studies - Sonance: The Invisible Living Room - Serge invited our team to their studio in San Clemente, CA for both a tour of Sonance’s headquarters and to discuss the possibility of future projects, such as the Invisible Living Room. Serge explained how Sonance wanted to include an interactive 360-degree digital version of the room on their website. We agreed to support them in bringing this idea to life, and then, we got to work!</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room</image:title>
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      <image:title>Case Studies - Sonance: The Invisible Living Room - At red point, we especially enjoyed this project because it gave us the opportunity to continue developing our technical skills in a way that's creative and innovative, and we were able to dive headfirst into using Cinema 4D, which is a favored application for our animation team. For our animator, Lauren Moore, the Invisible Living Room was a fulfilling and challenging project that "helped me fall in love with my career more!"</image:title>
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    <loc>https://www.redpointdigital.com/case-studies/didoandaeneas</loc>
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    <lastmod>2024-01-04</lastmod>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film - The Client</image:title>
      <image:caption>As one of the Big Seven musical conservatories in the country, the Cleveland Institute of Music recognizes the power classical music has and strives to ensure the success and creative growth of their students. The school focuses on setting the students up for success and prides itself on its encouraging and skilled faculty. CIM graduates and leads in Dido and Aeneas Emma Nossem and Rachel Rose both praise the school for its uplifting atmosphere.</image:caption>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film - “People root for you. They're happy when you succeed even if it's something you were both going for. It's a healthy educational environment, and the teachers are like that, too. There's no studio toxicity or anything like that. All of our faculty really have the same ideals of healthy and beautiful singing.” -Rachel Rose, CIM Class of 2022</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film - “When I got to CIM, it was just an unbelievably different experience compared to the other auditions I had taken at other conservatories and other schools of music. The admissions team was super welcoming and so were the members of the student body I met that day. I just remember leaving my audition thinking that if I get into (CIM) there's no question that I am going there.” -Emma Nossem, CIM Class of 2020</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film</image:title>
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      <image:title>Case Studies - Dido and Aeneas: An Opera on Film - We began filming in May 2021, and due to scheduling and the students’ availability, we did not see or hear any of their performances until the day of shooting. We planned to shoot at both the Westinghouse Building and in our studio in Akron for scenes requiring a green screen. What was wonderful about this shoot was from the lead cast to the ensemble, every single cast member was gifted, motivated, and prepared to take on the film. Even though many of the students had never acted or performed in a movie before, everyone took the challenge head on and used this as an opportunity to develop their performances. Vaughan said, "I don't know if I'll have a cast again that is so directable and talented from top to bottom as this."</image:title>
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    <lastmod>2024-10-23</lastmod>
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      <image:title>Commercial Work - iPort - Show Me Your Moves</image:title>
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      <image:title>Commercial Work - iPort - Show Me Your Moves</image:title>
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